嫉妒2013

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

　　本短片是特吕弗著名的“安托万系列”的第二部，收在集锦片《20岁之恋》中。
　　17岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）对女孩Colette（Marie-France Pisier）一见钟情，做毕一系列“热身准备”，他鼓足勇气向她搭讪，此后两人时常见面聊天、喝咖啡、听音乐会。Antoine以为Colette也钟情于他，做出近乎疯狂的举动对其展开更为热烈的追求，但Colette已有男朋友，只视他为普通朋友。

　　故事发生在台湾某乡村，因为稻米的产量过剩，农会决定推广新的政策，种植新的植物。凌云峰（王祖贤 饰）是农业专科学校毕业的女技术员，她倡议将稻田改成花田，种植花卉。周永健（齐秦 饰）被凌云峰的这个建议所吸引。周永健出生在传统的农民家庭中，家里的人对他的决定提出了强烈的反对，但是周永健并没有就此退缩，而是坚定的贯彻自己的决定，站在凌云峰的身比。
　　村长的女儿林千惠是周永健青梅竹马的好友，同时也深深的爱着这个正直的男人。当凌云峰得知了林千惠对周永健的感情之后，善良的她选择了默默的离开，来成全他们两人。

　　相貌酷似王宝强的贾东晓（黄晋琨 饰），有着同“许三多”一样的执着与憨傻。他渴望在大都市实现自己的梦想，同时也在忍受着群租、没钱吃饭、被隔壁做爱声骚扰的痛苦煎熬。
　　非主流女孩米小萱（谷倖仪 饰），风风火火地从北京来投靠贾东晓，不是情侣的二人，出于生存所迫，竟然每晚睡在同一张床上。
　　庞克女琳琳（吴恩旋 饰），被歌手男友甩了之后，整日蜗居不出，严重自闭，引发了邻居贾东晓的怜悯。
　　IT男李微软（李之浩 饰），每月拿着1万多的高薪，却也和贾东晓等人群租在老弄堂的阁楼里，沉默寡言，生活了无生趣，直到米小萱出现在他的眼前，一切发生了改变。
　　四个为了梦想来到大都市打拼的年轻人，两段令人唏嘘的感情，一个每个都市外来人都能找到自己身影的故事。四个角色，有人留下，有人离开，有苦涩，也有美好，有欢笑，更有年轻的泪水……
　　一段坑爹的爱情，一场苦逼的喜剧 。

离开部队之后，以利亚凯恩再次回到他的特种部队。由Marcus米切尔招募回美国中央情报局。凯恩的技能是远程狙击，马库斯的承诺，中情局将信息提供给凯恩并为之组建他的小团队。凯恩得到一系列高难度错杀任务，中央情报局的一般特工不能完成。马库斯承诺配合凯恩，引导目标他进入狙杀范围。并将目标的身份透露给凯恩团队。凯恩与其它两个受过训练的新兵组成行动小组，完成任务。最终驱动凯恩的不只是生意，也有个人的原因。