比Rebel Without A Cause，The Wild One 更加猛烈的对50年代青少年问题的展示。美国的青年们在电影院里就开始造反了，导致Blackboard Jungle被全国禁映。 最摇滚镜头：理想主义的老师Richard Dadier与帮派头目Artie West的正面冲突：“我说把作业拿过来。”“我说‘为什么？’“
A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp. Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain. This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming. One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played. - JohnHowardReid, imdb
天下第一铸剑师蒙冶子因铸造名剑含光招来朝廷奸臣赵邯的灭门之祸，拼命保全蒙阳并留下未铸成的承影剑。二十年后蒙阳长大成人，试图为父报仇，但可以克制含光剑的承影剑却始终无法铸成。皇帝病危，机缘巧合下，蒙阳接到了护送太子公子都回宫继位的任务。为了调查蒙府灭门真相并报仇，蒙阳接下任务，路上再次引来杀身之祸。蒙阳护送公子都一路坎坷，同伴几人牺牲，却在危急时刻让蒙阳理解了父亲留下承影剑的含义，终于将承影剑铸成，并查明灭门真相，报了家仇，并辅佐公子都继位，保天下太平。
1917年，袁世凯称帝，蔡锷将军发起护国运动。爱国青年郑少卿留洋归来，却发现全家惨遭杀害。经多方调查，此事与大军阀马大帅有关。郑少卿遂伺机混入大帅府追查真相，却与大帅之女马盈盈暗生情愫。大婚之夜，亡妻红衣回魂、血咒索命；婚后府中怪事频发，数人接连离奇丧命。这一切究竟是冤魂复仇还是人心作祟？那隐匿于幕后的真凶，究竟是谁？
剧情叙述一个神经质的作曲家Winslow Leach，他的作品被唱片公司制作人Swan窃用，并且使他遭受到毁容。于是他躲在制作人新开的天堂剧院中，戴着面具变成如同幽灵一般。作曲家本来想借着破坏行动来报复制作人，但当他发现一个新进女歌手Phoenix，能够完美地诠释他的作品，于是他同意制作人的合作要求，然后签下了古怪的血约，立誓完成一部以「浮士德」为主题的摇滚歌剧。没想到制作人竟然又欺骗他，另请了一位重摇滚歌手Beef来代唱，而且他慢慢地发现到制作人真正邪恶的真面目......
刚刚回到伦敦的好运，与昔日旧友策划了一起抢劫赌场的计划，行动后保管现金的好运被各方追踪，经历了残酷的厮杀和女友背叛后，好运也有了新的计划。
