同行

　　讲述一个年轻女孩坚称有一个怪物正在蚕食她，而一位有预知能力的治疗师必须直面自己内心的困扰，赶在那个女孩被完全怪物吞噬之前拯救她。

　　Sean作为中央情报局的成员，他奉命调查一件案子。随着案件的发展，他也开始慢慢陷入危机，在纽约这座大都市里，一群忍者的暗杀计划也逐渐浮出水面……Sean可以查出真相吗？

　　《无畏警官2》（外文名：Dabangg 2）是2012年，由Dilip Shukla执导，Sonakshi Sinha等人主演的一部喜剧动作类电影。该剧讲述了初尔布与拉卓结婚后，一家人随初尔布的升迁调动，来到了勒克瑙。勒克瑙城每日都在目睹大量日常犯罪活动，以及光天化日下的绑架、强奸、谋杀。
　　幕后黑手却是一名政治家——巴查，他在即将到来的选举中占有强有力的地位。初尔布是一位无畏警官，不畏强权，敢于与恶人争斗，先是杀死巴查老大的弟弟甘达，而后遭到巴查的报复……但是无畏警官真的会那么轻易被敌人解决掉吗？

　　阿蒂姆（阿利·巴凯 Ali Barkai 饰）的父亲在战争之中死去了，十六岁的阿蒂姆拿着一把手枪，决定群寻找并且杀死自己的杀父仇人。怀揣着满心的仇恨，阿蒂姆来到了仇人纳萨拉（尤苏夫·约罗 Youssouf Djaoro 饰）所在的城市，此时的纳萨拉早已经成家立业，并且经营着自己的面包房，每天，他都会将卖剩下来的面包分给附近穷苦的孩子们，俨然一副老好人的模样。
　　为了接近纳萨拉，阿蒂姆隐瞒了自己的真实身份，作为学徒来到了纳萨拉的面包房工作。纳萨拉非常喜欢聪明肯干的阿蒂姆，将自己的本领毫无保留的传授给他。随着时间的推移，阿蒂姆和纳萨拉之间渐渐产生了亲情。

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.