末日杀戮

简介：　　Izwan is a single father raising his son Biko. They get kicked out of their house for failure to pay rent. Irfan's best friend Sherry takes Biko for an audition with a famous singer, Sara. But who is Sara?

简介：　　老三（刘烨 饰）本来是个大有前途的海军军人，可是在一次救人中意外的损毁了脑神经，不得不提早退役。
　　退役后的老三始终生活在自娱自乐的军人生活中，更是以见义勇为，消灭一切邪恶力量为己任。多年的军旅生活和坚持不懈的锻炼，让老三在与小偷、票贩子、犯罪团伙的一次次搏斗中战无不胜。
　　另一方面，香港黑帮大哥阿龙（黄秋生 饰）带着妻子和手下悄悄的来到了老三所在的城市，他们的目标是即将在此展出的宋代文物——岳家抢。刑警队长老蒋（尤勇 饰）的暗中已经盯上了这股黑帮势力，却不想老三以十足的正义感和不大高明的头脑横搅入局。
　　一场硬碰硬的三方对决在正义与邪恶之间拉开帷幕。

简介：　　We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.

简介：　　Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
　　They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.
　　Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.

简介：

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：

故事背景发生在震撼全国民的“僵尸恐慌”爆发的5年后。僵尸情况逐渐受到控制，人们开始恢复和平的生活。某天，一只不知来路的僵尸在花田家迷路了。

　　该怎么处理那只僵尸？围绕着这个问题，大家开始追捕这只僵尸，故事朝着意料之外的方向发展…人类开始袭击僵尸？！这种相反的角色设定，带来“滑稽而又残忍”的人类故事。真正的到底是僵尸，还是人？

简介：

　　精神病院一场惨烈的大火，令无数人丧生祸害，妮儿·史威特（阿什丽·贝尔 Ashley Bell 饰）作为唯一的幸存者活存于世。这一日，没有任何知觉的妮儿突然醒来，她已经忘记前几个月发生的事情，只依稀残留对恶魔的恐怖记忆。弗兰克·默勒（缪斯·沃森 Muse Watson 饰）将其带回自己开办的创伤少女关怀机构，希望通过科学的方法帮助妮儿远离邪教的影响，找回健康、正常的人生。在弗兰克的帮助下，妮儿尝试相信所谓的超自然都只不过是幻想而已，她在此与美丽女孩格温（朱莉娅·加纳 Julia Garner 饰）结为好友，也与名叫克里斯的男孩（Spencer Treat Clark 饰）互生好感。
　　然而恶魔并未忘记它唾手可得的猎物，身处阳光下的渐渐被彻骨寒冷的恐怖阴影所覆盖……

简介：　　Marseille, juillet 1905. Le jeune Marcel Pagnol vient d'achever ses études primaires. Dans trois mois, il entrera au « lycée ». Trois mois... une éternité quand on a cet âge. Car voici le temps des vacances, les vraies, les grandes ! Enfant de la ville, ce retour tant attendu à ses chères collines d'Aubagne, celles de « La Gloire de mon père » et « Le Château de ma mère » le transporte de bonheur.

简介：

　　影片分为两个不同的部分。第一部分由米尔恰·韦罗尤执导，描述了二十世纪初罗马尼亚一个寡妇的悲惨生活。第二部分由丹·皮察执导，讲的是一个婚礼上的新娘。
　　米尔恰·韦罗尤(1941年出生)和丹·皮察(1938年出生)是罗马尼亚最具独创性的电影制作人，他们一起制作了两部杰出的电影：《石婚》(1972)和《金魂》(1974)。毫无疑问，两部电影都是罗马尼亚有史以来最好的电影之一，在全世界受到了巨大的好评，被纽约现代艺术博物馆收藏。
　　《石婚》根据罗马尼亚作家Ion Agarbiceanu的小说改编，描写了上世纪初特兰西瓦尼亚乡村的生活状况。这些故事充满了一种深深的悲剧性的震撼，一种似乎无处不在的宿命感。所有这些都在令人难忘的摄影中被表达出来。毫不夸张地说，每一个镜头都是一件艺术品。
　　在第一部分中，女演员 Leopoldina Balanuta 的每一个动作、每一个眼神都充满了感性和智慧，她知道如何暗示多年的生活、希望和绝望的积累、固执的爱以及在沉默的斗篷下压抑的巨大痛苦。这些有力的镜头语言，只有第二部分的 Mircea Diaconu (逃兵) 眼中悲剧性的天真才能匹配。
　　两位导演中，米尔恰·韦罗尤喜欢充满沉思的冰冷凝结的风格，而丹·皮察在他的部分，则把它变成了一个充满活力的故事，有许多讽刺的时刻，富有表现力的人物，并在最后有一个痛苦的悲剧转折。
　　无论如何，《石婚》是一部值得一遍又一遍地观看的电影。每一遍，它似乎都增长了新的维度。

简介：　　小和尚十方（梁朝伟 饰）随师父白云（刘洵 饰）护送金佛去五台山。路上偶遇痞子道士燕赤霞（张学友 饰）杀死强盗无数，三人结下梁子。十方与师父夜宿鬼寺兰若寺。师父外出打探时，十方遭遇女鬼小卓（王祖贤 饰）。十方不受其诱惑，二人争斗，十方念咒将其制服，但仍好心将其放走。十方将金佛不慎丢失，找到后已破成两段，树妖姥姥趁机发难，白云被活捉。十方在小卓帮助下逃出，外出求人修补金佛却不幸被骗。幸得再遇小道士燕亦霞，得其相助。小卓死敌小蝶（利智 饰）出击勾引二人不成，恼怒之际识破小卓与十方的计划，引姥姥到三人藏匿之处。十方在小卓再次帮助下逃出，并救得师父，小卓却被姥姥抓回折磨。十方与燕赤霞掘出小卓骨灰逃出兰若寺，但姥姥已布下天罗地网，众人危在旦夕，最后关头，十方化成佛祖金身，对付树妖……

简介：　　一对夫妇的经历在他们心爱的狗的监护权离婚的争吵。

简介：　　武术大师黄飞鸿之父黄麒英，这位有着深厚武学功底的中医医师乐善好施、一腔热血，在人生历经曲折后铲奸除恶、行医济世，传递医道与武道精髓。