因為尺度驚人的性愛影片在網路流傳，魯宗嶽被指控在酒後性侵偷拍多名女子而被捕羈押，經過媒體的渲染，還未走上法庭的他已經成為了全民公敵。如今，魯宗嶽的最後一線希望，是政府指派的辯護律師，魯宗嶽沒有選擇只能在這個對他有著深深敵意的女律師面前，回憶起他跟每一個女孩發生的故事，也終於讓世人看見了他不為人知的掙扎與辛酸。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
孟买警局的警探德鲁夫正在追查一宗震惊全城的连环杀人案，受害者都是年轻女孩，死因都与一种诡异的燃烧型药物有关。随着调查逐步深入，警方锁定了初步嫌疑人——但事情远没有看起来那么简单。
随着线索一层层揭开，德鲁夫意识到他们面对的并非普通罪犯，而是一个极端聪明且危险的存在。案件的每一步都像被算计好一般，不仅挑战警察系统的极限，也逼迫他面对自己过往的伤痛。在真相的边缘，他必须做出选择——是捍卫正义，还是被黑暗吞没。
检察官久力生公平（木村拓哉 饰）六年后回到东京地方监察厅城西部，继续由事务官雨宫舞（松隆子 饰）担任助手。六年时间并没有隔断他们的感情，在斗嘴中舞试探着久利生的心意，久利生感觉到却故意调皮地置之不理。芝山检察官（阿部宽 饰）正对一桩故意伤害人的案件提起起诉，犯罪嫌疑人对罪状也供认不讳。芝山由于正在为自己争取女儿抚养权的官司弄得焦头烂额，这件官司只得转交久利生处理。久利生和舞去了案发现场重演经过时遇见了一个神情庄重的中年人。在初审法庭上发现他竟是犯罪嫌疑人的辩护律师——在业界首屈一指的蒲生一臣，而犯罪嫌疑人也一改之前的口供，否认罪状。原来花岗练三郎议员正在被控贿赂，而他坚称当时正在牙医诊所，目击证人正是一名保安，这名保安就是久利生的犯罪嫌疑人。为了帮花岗脱罪，所以这名犯罪嫌疑人必须身在牙医诊所而不是案发现场。 对于高官来说，让花岗入罪是为民除害。但是对于久利生来说，没有什么比杀人之后逃窜更恶劣。尽管艰难重重，他们还是坚定地踏上了寻找证据控告入罪之路。
