杰西卡·霍兰德（蒂尔达·斯文顿 Tilda Swinton 饰）是旅居哥伦比亚的欧洲人，她来到波哥大看望她生病的姐姐（艾格尼丝·布雷克 Agnes Brekke 饰）。因为总是听到奇怪的巨响，于是她试图去找寻幻听的根源，并由此开始了一场由幻想、偶遇与重逢组成的，与记忆和历史产生回响的旅程。
在婚前的单身派对上，一位人力资源经理意外感染上了僵尸病毒。他必须用自己的意志力控制对人脑的食用，同时还必须想办法逃脱僵尸猎人的跟踪，他这种种奇怪的举动都招来未婚妻的强烈不满和愤怒...... 《僵尸蚊子》（A Little Bit Zombie）是一部融合僵尸片+搞笑片元素的恐怖片，突破了以往僵尸片带给我们的血腥重口味印象，而是看上去相当的滑稽有趣，令人期待~ 结婚很难，而当你被一只僵尸蚊子攻击之后结婚将会更难，没错，就是“僵尸蚊子”，别以为只有人才会变成僵尸，在蚊子中也有僵尸的品种。这听起来是不是非常的不可思议而且创意十足？近日，这部《僵尸蚊子》（A Little Bit Zombie）曝光了一支新的预告片，看上去真是相当的滑稽，当被一支蚊子咬完之后，症状要比一般的僵尸低的多，不过在未婚妻面前的种种怪异举动还是不免让人担心如何蒙混过关......
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
