金刚狼

　　《空海》是导演佐藤纯弥于1984年拍摄完成的电影，描述了日本平安时期遣唐学者弘法大师的故事，这部影片是为了纪念这位在日本文化史上留下过重要足迹的高僧坐化一千一百五十周年而摄的。年轻时代的空海为了求取真经,学习艺术真谛,曾不避风险,远涉重洋,来到中国,学习密教和书法,回国后创立真言宗密教,并丰富了日本的艺术内容。影片斥资达12亿日元，并在中国政府的支持下来到中国取景，是当时少见的超大制作；《空海》上映后，日本全国票房收入超过30亿日元，位列1984年票房排行榜第七位，获得极大成功。

　　Audrey Ames是一位有进取心的记者，试图从伊利诺斯州实验农场偶然发现的巨型蝗虫那里得到独家新闻。她努力拯救芝加哥，尽管军队掩盖了一切。

　　电影《少年阿超》讲述香港小调皮学生阿超改正缺点、努力学习，成为模范好少年的故事。以娱乐的手法，表现了同学间的友谊和少年见义勇为的精神，是一部真正意义上寓教于乐的电影。

　　夫妻的史都耀（李国煌）和钟离春（杨雁雁）在茨厂街经营福建面，时常面对殖民地警察及帮会的勒索和欺压。都耀误打误撞之下结识了一个神秘的美女高手小菊（童冰玉），更被指为明朝建文帝的子孙。而深藏不露的离春和陈坤（黄明志）也在这时显露了高强的武功。伴随而来的是各门各派的虎视眈眈，誓夺连他自己都不知道存在的藏宝图。顿时茨厂街风起云涌，高手云集。到底都耀能不能解开自己的身世之谜，并搭救一直默默保护他的老婆呢？

　　Murayama Kaita, a Japanese painter, novelist and poet died in 1919 at the age of 22, leaving behind an impressive and time-defying body of work. In his most recent film, Sato Hisayasu offers a surreal, time-crossing, meta-layered essay on the artist, his originality and his legacy.
　　Dear Kaita Ablaze brings together a young woman Azami obsessed with Murayama's painting, a young man Saku, who can hear unusual frequencies and claims to be Murayama or his spiritual imprint and a quartet of young performers with psychic abilities. They bond over Murayama’s work which they recreate in performative dance while driving to a mysterious cave called Agartha.
　　Sato Hisayasu (The Eye's Dream, Muscle, The Bedroom), renowned for his pinku and exploration of madness and lust, returns to IFFR. Dear Kaita Ablaze is hyper-dense, obsessive and driven, effortlessly mashing surrealism with sci-fi and mysticism, layering seemingly unrelated events and encounters to bring them together in a monumental climax.
　　– kijA