呆呆计划

　　被麻袋罩着头、被绳子绑在一起的如月、初花月、殷春和弥生四人走在树林里，负责押解的霜月和冰月不仅不让她们休息，甚至不给她们水喝。霜月和冰月是伊贺的忍者，两人受命掳走敌对甲贺村落的女子，带回伊贺作慰安妇。和轻浮的冰月形成对比，霜月一脸冷漠地默默执行任务。女人们不知道自己为什么会被绑架，她们的反抗完全没有用。　　突然，神秘男子神无出现，绳子松开了，女人们四散而逃。霜月、冰月以及神无展开了追击。冰月好像猫逗老......

　　在法国加莱，有一批来自伊拉克库尔德地区的难民，他们遭受着绝大多数法国人的提防和排挤，热衷于足球的17岁比拉尔（菲拉·阿伊维尔迪 Firat Ayverdi 饰）就是这些难民中的一个。比拉尔梦想着去英国，在通过卡车偷渡失败之后他开始学习游泳，并结识了法国人西蒙（文森特·林顿 Vincent Lindon 饰）。西蒙是游泳馆里的游泳教练，他被比拉尔的认真劲儿吸引，并逐渐对这个年青人产生好感。当西蒙得知比拉尔学习游泳是为了穿越拉芒什海峡时他曾试图劝阻，可是当他得知比拉尔去英国是为了见到女友米娜时，正在办理离婚手续的西蒙竟然决定帮助他……
　　本片在2009年的柏林电影节获得欧洲电影标志大奖和天主教人道精神奖两项大奖。

　　正直善良的韩东（韩兆 饰）在荒废多年的厂区找到值夜班的工作，可上班当夜就遭遇一系列怪异的事，尤其是在铁栅栏外游荡的那个白衣女人更让他惊出一身冷汗。原来当初上班前带他巡视厂区的吴师傅（ 曹其昌 饰）说的确有其事，闹鬼！厂里殷主任在旁人眼里看来总是那么深不可测。韩东交了押金才知道在他之前已经有三个值夜班的辞职了。此时的他骑虎难下，愈发感觉这座院子不太平。 韩东找棱子（张凯辉 饰）陪他一起值夜班，棱子昏头昏脑走错路，竟跑到坟地去了。有没心没肺的棱子陪着，韩东心里踏实多了。深夜，两人都听到阴测测的女人的哭笑声，登时起了一身鸡皮疙瘩。他们壮着胆子循声而去，看到了更恐怖的一幕……

　　Jasmine, a young teenage girl on the run, is taken in by Shane, a showman who works on a travelling fairground passing through town. As an unorthodox bond between the pair builds, their combined quest to evade the past pushes both characters closer together, and in turn, closer to danger.

　　In the summer of ’76, as President Jimmy Carter pledges to give government back to the people, tensions run high in a working-class Philadelphia neighborhood where the Black Panthers once flourished. When Marcus returns—having bolted years earlier—his homecoming isn’t exactly met with fanfare. His former movement brothers blame him for an unspeakable betrayal. Only his best friend’s widow, Patricia, appreciates Marcus’s predicament, which both unites and paralyzes them. As Patricia’s daughter compels the two comrades to confront their past, history repeats itself in dangerous ways.
　　Night Catches Us masterfully reckons with the complexity of its characters’ revolutionary ideologies and internal desires. Bell-bottoms, Afros, potlucks, and Caddies set the scene as the film potently interweaves political media with an evocative soul-inspired score, summoning a vivid sense of place and time. The golden light that bathes characters’ faces seems to express the promise—and elusiveness—of the necessary change Marcus and Patricia struggle for so dearly—each by separate means.