黑海夺金

　　一位母亲在由巨大企业控制的世界中，拼命保护女儿的故事。当她在工作中无意间发现不该知道的秘密后，她被囚禁在一座太空监狱站。为了重新回到女儿身边，她与时间赛跑，但在此过程中，监狱中的囚犯们神秘失踪。这里由冷酷无情的机器人看守，人命显得微不足道。

　　Murayama Kaita, a Japanese painter, novelist and poet died in 1919 at the age of 22, leaving behind an impressive and time-defying body of work. In his most recent film, Sato Hisayasu offers a surreal, time-crossing, meta-layered essay on the artist, his originality and his legacy.
　　Dear Kaita Ablaze brings together a young woman Azami obsessed with Murayama's painting, a young man Saku, who can hear unusual frequencies and claims to be Murayama or his spiritual imprint and a quartet of young performers with psychic abilities. They bond over Murayama’s work which they recreate in performative dance while driving to a mysterious cave called Agartha.
　　Sato Hisayasu (The Eye's Dream, Muscle, The Bedroom), renowned for his pinku and exploration of madness and lust, returns to IFFR. Dear Kaita Ablaze is hyper-dense, obsessive and driven, effortlessly mashing surrealism with sci-fi and mysticism, layering seemingly unrelated events and encounters to bring them together in a monumental climax.
　　– kijA

　　由中国人投资制作的而在题材上走国际路线的一部典型的间谍动作片。男主角亨利是美国中央情报局的干员，他用巧妙的手法取得狐蝠战斗机的珍贵资料，但却存有异心，要将此资料在国际情报市场中高价拍卖谋利。于是，各路英雄都来到折卖地香港，展开了一场又一场的枪战追逐。最后却发现，原来整个事都是中央情报局设下的圈套而已。导演梁普智处理动作场面的手法是颇具国际水准的。单就拍摄成绩而论，它也是形胜于质的。本片的几个主角，都有是徒具一个表面的身份，而没有属于个人的内在世界。此外，本片忽视中国观众的口味。并缺乏了朴质的血肉之感。