职业大贼

　　1932年，红军挥师南下去创建川陕革命根据地，给红军当向导的付家林，曾遭受当地恶霸和土匪的欺压，被逼逃离家乡投奔了红军，陕西镇巴县天池寺一带的百姓翻身得解放后，拥护红军，使红军队伍迅速壮大……

　　阿里是一位苏格兰场（指英国首都伦敦警务处总部）的警察，他出生于巴基斯坦的拉合尔，之后娶了一个英国女人，并育有两个孩子。在2005年7月伦敦连环爆炸案发生后，阿里奉命去调查一个相关的嫌疑犯，工作进展的很不顺利，同时身为穆斯林的他，尽管已经在苏格兰场工作多年，但是由于爆炸案，也受到了同事们异样的注视。虽然最后事情水落石出，但是期间受到的歧视与人们对爆炸案的恐惧，还是让他久久难以释怀。

　　辉煌的吉檀迦利家族只剩下公主一个人，当了“女王”的她与权力至上的政客发生矛盾，不知道如何面对以后的种种问题。还好先王最信任的贴身保镖巴瓦尼在女王左右协助她打理一切，慢慢的女王与忠诚的巴瓦尼走得越来越近。
　　总统宣布国家进入紧急状态，政客趁机打击吉檀迦利女王，夺走了皇室的黄金，还逮捕了女王。英勇的巴瓦尼前来拯救女王，召集了自己的朋友，踏上了为女王夺回黄金的道路。 运走黄金的是赛海尔军官，他准备用一辆特殊打造的军用货车将黄金带到新德里。 巴瓦尼一伙能否成功将黄金带还女王？巴瓦尼是否能跟女王在一起？

　　被麻袋罩着头、被绳子绑在一起的如月、初花月、殷春和弥生四人走在树林里，负责押解的霜月和冰月不仅不让她们休息，甚至不给她们水喝。霜月和冰月是伊贺的忍者，两人受命掳走敌对甲贺村落的女子，带回伊贺作慰安妇。和轻浮的冰月形成对比，霜月一脸冷漠地默默执行任务。女人们不知道自己为什么会被绑架，她们的反抗完全没有用。　　突然，神秘男子神无出现，绳子松开了，女人们四散而逃。霜月、冰月以及神无展开了追击。冰月好像猫逗老......

　　该片是根据真实事件改编，讲述了一对夫妇看到网络上的美食情报，就来到孤岛上寻找这间餐厅，却遭遇了意料之外的重重危机。
　　2015年警察厅公布的统计数据中，2014年网络犯罪多达11万起，大部分是网络金融欺诈、黑客等行为，但也有通过网络而施行的杀人、强奸、连锁杀人等重大刑事犯 罪。特别是对于网上很多没有公信力的情报毫无怀疑而上当受骗的受害者日渐增加。特别是我们对于智能手机和 app 的使用都成为日常生活中不可或缺的一环，所以网络上的犯罪其实离我们每个人都很近。《陷阱》也是出于这样的意图，希望告诉观众，其实每个人都可能会陷入这样的陷阱。
　　影片中赵汉善和金敏京饰演的“俊植”、“素妍”夫妇，为了找到网上有着好口碑的餐厅而来到孤岛上，遇见了亲切地有些过分的餐厅主人，之后却陷入了意想不到的陷阱中。该片导演权炯辰曾凭借《为了霍格沃兹》获得第44届大钟奖新人导演奖，并提名第10届上海国际电影节及亚洲新人奖最佳影片。之前演惯了反派的马东锡最近在影视剧中展现了幽默搞笑的一面而倍受观众喜爱，在这部电影中则又饰演看上去很亲切但却让人觉得有点恐怖的神秘餐厅主人“成哲”一角。

明明在心爱的人面前，千言万语无从诉说。看着她在新环境中感情的变迁，一时的阻挠不过徒劳的挣扎，世界上最遥远的距离莫过于此。孟子言作为痴情男一枚，虽有些地方细思极恐，但饱经冷暖后依旧用自己的方式守卫自己的爱情，这份真情令人动容。故事的核心是“爱情的忠贞”，《爱在异次元》以一个奇幻而有趣的爱情故事，展现了95后对于爱情执着而纯真的一面。

　　邪恶的克劳博士（托尼·马丁 Tony Martin 饰）锒铛入狱，令将他捉拿归案的G神探（弗伦奇·斯图尔特 French Stewart 饰）名声大噪。然而好景不长，G神探发现，随着时间的推移，自己身上的很多机能都发生了故障，因而惹出了一大堆的麻烦，G神探遭到了连连降职。
　　祸不单行，克劳博士越狱成功，正在酝酿更大的阴谋，想要把整个城市都毁于一旦。为了阻止悲剧的发生，市长设计出了新型机器人G2神探（伊莲·亨德里克斯 Elaine Hendrix 饰），这位精明强干，巾帼不让须眉的机器人小姐很快就抢了G神探的风头。为了维护自己的地位，G神探只得假装和G2神探搞好关系，两人联手追踪着克劳博士的踪迹。

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.