最后之子

最后之子

HD中字版

10.0 |03月26日 12:33 |片长96 |HD中字版
简介:
  萨姆·沃辛顿将主演动作新片[艾萨克·勒梅最后的孩子](The Last Son of Isaac LeMay,暂译)。大卫·凡·安肯(《地狱之轮》)执导,影片改编自格雷格·约翰逊“黑名单”剧本,讲述一位占卜师告诉艾萨克·勒梅(沃辛顿饰),艾萨克受到了诅咒,他将被他其中一个孩子杀死。为了避免诅咒成真,他通过遗传胎记找到了他的孩子卡尔。卡尔为非作歹,艾萨克必须阻止卡尔,并解除诅咒。
猜你喜欢
换一换
女仆日记
55
8.0
HD中字
女仆日记
8.0
更新时间:03月26日 12:26
主演:蕾雅·赛杜,文森特·林顿,克洛蒂尔德·莫莱特,埃尔韦·皮埃尔,梅洛迪·瓦伦伯格,帕特里克·德阿萨姆曹,文森特·拉科斯特,阿德里娅娜·阿斯蒂,多米尼克·雷蒙,奥拉利亚·佩蒂特
简介:  故事发生在1900年左右的法国。时髦少女塞莱丝汀从动荡不安的巴黎来到诺曼底当家庭女仆。在兰莱尔一家人的别墅里,她面对的是好色的男主人和他那性冷淡、专横和嫉妒心强的妻子。塞莱丝汀决心避免遭遇厨师玛丽安的悲惨命运——自己结婚生下的孩子死去了,但绝望发现自己又怀上了。这个年轻 的女仆对神秘的男仆约瑟夫的行径感到好奇:他四处分发反犹太传单,并暗示她可以在瑟堡为他从事妓女工作。
  继让•雷诺阿(1946)和路易斯•布鲁诺尔(1964)之后,伯努瓦•雅克再次选择奥克塔夫•米尔博的小说来对资产阶级进行冷嘲热讽。影片以一个竭力保全自己生活的年轻女人为主角,通过其日记的视角,雅克展现了看似无力的力量和似乎有力的无力性。女仆的形象揭开了20世纪早期隐藏的黑暗腹地,也暗示了当今生活的不安定性。 via迷影网
912
2015
女仆日记
主演:蕾雅·赛杜,文森特·林顿,克洛蒂尔德·莫莱特,埃尔韦·皮埃尔,梅洛迪·瓦伦伯格,帕特里克·德阿萨姆曹,文森特·拉科斯特,阿德里娅娜·阿斯蒂,多米尼克·雷蒙,奥拉利亚·佩蒂特
巴斯克维尔猎犬
714
1.0
HD中字
巴斯克维尔猎犬
1.0
更新时间:03月26日 12:30
主演:Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp
简介:

  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
  - JohnHowardReid, imdb

912
1937
巴斯克维尔猎犬
主演:Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp