致奥利维亚

　　一位母亲在由巨大企业控制的世界中，拼命保护女儿的故事。当她在工作中无意间发现不该知道的秘密后，她被囚禁在一座太空监狱站。为了重新回到女儿身边，她与时间赛跑，但在此过程中，监狱中的囚犯们神秘失踪。这里由冷酷无情的机器人看守，人命显得微不足道。

　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

　　银河帝国再建威力更大的新“死星”，试图彻底消灭抵抗力量。卢克•天行者（马克•哈米尔 Mark Hamill 饰）派机器人R2-D2和C-3PO前往塔图因星贾霸处协商交换被冷冻的韩•索罗（哈里森•福特饰）未果；后在莉亚公主（卡里•费什尔 Carrie Fisher 饰），猿人丘巴卡（彼得•梅林 Peter Mayhew 饰）和蓝多•卡瑞辛（比利•迪•威廉姆斯 Billy Dee Williams 饰）的帮助下终于营救成功。在尤达师傅处，卢克发现了更多关于自己身世的秘密，也终于决定迎接成为一个绝地武士的终极挑战。卢克回到抵抗组织参与攻打“死星”行动，与韩•索罗，莉亚公主，丘巴卡，机器人R2-D2和C-3PO共同前往森林密布的恩多星破坏“死星”防护罩的能源站，与此同时蓝多•卡瑞辛驾驶千年隼飞船带领各部施展航空打击。没曾想卢克一行人刚踏上恩多星，就遭遇当地部落伊沃克人，莉亚公主也不知所踪……
　　本片获第56界奥斯卡视觉效果特殊贡献奖，并获最佳艺术指导-布景，最佳声音剪辑，最佳原创电影音乐及最佳音效四项提名。

 从未失手的珠宝大盗，本想干完最后一票便金盆洗手，却与中年失意的精英高管意外结盟，联手布下棋局。另一边，深陷职场困局的王牌警探，正凭借蛛丝马迹一步步将矛头对准他们，更有黑帮劫匪暗中蛰伏，伺机搅局。螳螂捕蝉、黄雀在后，当规则与道德的边界被打破，这场颠覆命运的惊天罪案，究竟谁能安全脱身？

　　检察官久力生公平（木村拓哉 饰）六年后回到东京地方监察厅城西部，继续由事务官雨宫舞（松隆子 饰）担任助手。六年时间并没有隔断他们的感情，在斗嘴中舞试探着久利生的心意，久利生感觉到却故意调皮地置之不理。芝山检察官（阿部宽 饰）正对一桩故意伤害人的案件提起起诉，犯罪嫌疑人对罪状也供认不讳。芝山由于正在为自己争取女儿抚养权的官司弄得焦头烂额，这件官司只得转交久利生处理。久利生和舞去了案发现场重演经过时遇见了一个神情庄重的中年人。在初审法庭上发现他竟是犯罪嫌疑人的辩护律师——在业界首屈一指的蒲生一臣，而犯罪嫌疑人也一改之前的口供，否认罪状。原来花岗练三郎议员正在被控贿赂，而他坚称当时正在牙医诊所，目击证人正是一名保安，这名保安就是久利生的犯罪嫌疑人。为了帮花岗脱罪，所以这名犯罪嫌疑人必须身在牙医诊所而不是案发现场。
　　对于高官来说，让花岗入罪是为民除害。但是对于久利生来说，没有什么比杀人之后逃窜更恶劣。尽管艰难重重，他们还是坚定地踏上了寻找证据控告入罪之路。

　　医生楚乔发现自己捡回来的尸体，竟是何省长失踪的儿子。可为提高医术，他早已经把尸体开膛剖腹。为证明自己的清白，楚乔只好求助神通广大的小报记者聂冰，试图找到真正的凶手。在侦破的过程中，两人发现凶案线索直指十三红的班主红拂。而这起离奇的谋杀案背后，隐藏的竟是一段丑恶的权色交易！楚乔和聂冰本准备揭穿红拂的真面目，却意外发现她还有一个双胞胎姐妹红线。这对姐妹，一个好似邪恶的魔鬼，一个仿佛善良的天使，究竟谁才是真正的杀人凶手，结果已然浮出水面。