弗兰克叔叔

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

　　该片讲述省台女记者白子衿到消防部队采访消防官兵转隶的事宜，同时，她也想在这个支队找到曾在大火中救过自己的“父亲”。而她采访的对象——教导员赵建成，正是“父亲”以前的部下。
　　此刻的赵指导员也即将脱去这身“橄榄绿”，他十分迷茫，甚至一度想要逃避。然而，行为上的逃避只是暂时的，军人的使命却从心底提醒着他肩负的责任。在昔日战友的墓前，他想找到该如何面对这一切的答案。但是，这里只有沉默的丰碑。而此时，子衿的“父亲”大队长来了……

　　因為尺度驚人的性愛影片在網路流傳，魯宗嶽被指控在酒後性侵偷拍多名女子而被捕羈押，經過媒體的渲染，還未走上法庭的他已經成為了全民公敵。如今，魯宗嶽的最後一線希望，是政府指派的辯護律師，魯宗嶽沒有選擇只能在這個對他有著深深敵意的女律師面前，回憶起他跟每一個女孩發生的故事，也終於讓世人看見了他不為人知的掙扎與辛酸。