刀马旦国语

　　「離開，可以是積極的探索。」2003年，17歲的中四女生陶嘉韜－蕃茄，經歷了一次生命中的巨大轉變。短短時間，蕃茄面臨父母離異、家道中落、寄人籬下，甚至從國際學校轉到傳統的英青中學。但蕃茄的內心總抱持一個嚮往：離開家裡、離開香港，逃離到幻想中的美麗異地。後來蕃茄遇上了在新學校的少年犯－小青…為了實現夢想，蕃茄和小青加入了一個業餘劇團，並排練一齣主題圍繞「去留」的舞台劇。然而，排練得如火如荼之時SARS爆發…「離開，亦可以是消極的逃避。」17年後，新冠肺炎肆虐，蕃茄因收到父親在港染上肺炎的消息而急忙回港。無獨有偶，孤獨的蕃茄和小青收到導演歐陽柊的聯繫。導演希望在疫情之中重演當年的那胎死腹中的舞台劇，完成2003年那個舞台上的夢。「人生是一個圓，到了某個時間點，就會像週期般循環。」兩場疫情之間，就有如人生好運與厄運的週期交替。人生跑道上的人來了又去，但總能找到步伐一致，願意同行的夥伴。

　　地府新任的阎王 (徐鸣杰饰)，努力把地府科技化，有丰功伟绩，仍然不被织命殿的老官员裴老 (陈澍城饰) 接受和敬重。因为织命师能主宰投胎的鬼魂做人以后，拥有好命或坏命，故此织命殿在地府地位超越阎王，敛财无数。
　　阎王不想织命的绝技被裴老一党垄断，于是选中浩良 (谢俊峰饰) 和静静 (何盈莹饰)，进入织命殿当卧底。浩良是新魂，和30年前因为救他而死的老师晓雯 (周智慧饰) 在地府重逢，二人感情开始升温。
　　地府有大危机，是人类情愿偏爱养宠物，也不生育，地府居民无法投胎做人！地府温度如果不能保持在安全的零度，就会爆炸。阎王决定让地府居民，投胎去当猫狗！裴老煽动居民抗议，阎王找了阳间的一鸣 (张哲通饰) 下来帮忙，劝服居民答应去人间当宠物。一鸣为了曾经暗恋的静静，接下任务。二人虽然人鬼有别，还是成为情人。
　　裴老因为被阎王垄断利益，狠手对付阎王的属下。浩良、晓雯、一鸣和静静，各自遭遇了不幸的命运。

　　Season 3: 2001–2002
　　Cast: Rob Lowe, Stockard Channing, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff, John Spencer, Bradley Whitford and Martin Sheen
　　The third season, which covers the administration's third and fourth years in office, starts off with Bartlet announcing his intention to run for reelection and is heavily devoted to the upcoming presidential election. Other prominent plotlines include Congressional investigations into whether Bartlet committed electoral fraud by concealing his MS, a death threat against C.J. and the ensuing relationship she develops with a Secret Service agent assigned to her, the Qumari defense minister Abdul Shareef plotting terrorist attacks against the US, and a troubling meeting between Toby and the President that leaves Bartlet with a bout of insomnia in "Night Five." The season finale, "Posse Comitatus" closes several of these storylines as Bartlet meets his opponent in the elections and reaffirms his commitment to beat him. The episode ends with the president finally deciding to order Shareef's assassination (a legally questionable act) and C.J.'s agent's murder, just after the man threatening C.J. was caught.
　　From a critical perspective, series creator Aaron Sorkin acknowledged in October 2002 that the terrorism-related plots designed to keep the series relevant after the real-life 9/11 attacks were awkward at times, saying "from week to week, you felt like you were writing the show handcuffed, a little bit. I didn't know how to write it anymore. It was a constant search for what I wasn't doing that used to make the show work. [...] Maybe there was a way to make it work; there probably was. I wasn't able to find it in twenty-two episodes." [1] Nonetheless, the show went on to win its third "Outstanding Drama" Emmy in a row.