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简介：　　Netflix的这部最新体育题材剧集追踪2023年NASCAR杯季后赛和冠军赛，跟随车手们在赛道上展开角逐，争夺赛车运动中最具传奇色彩的桂冠之一。该剧集将对诸多车手和车队进行大量独家采访，有里安·布莱尼、威廉·拜伦、罗斯·查斯顿、丹尼·哈姆林、布巴·华莱士、凯尔·拉森、克里斯托弗·贝尔、乔伊·洛加诺和泰勒·雷迪克出镜，将车迷带到幕后，见证赛道内外的精彩时刻，同时探索在世界最高水平的赛车锦标赛中争夺冠军时所面临的身体、精神和情感挑战。

简介：　　本片以不加修饰和感性的方式，记录了当代最标志性的艺人之一泰勒·斯威夫特在人生转折期的点滴。该片讲述泰勒如何在他人的期许之下找到自我。导演拉娜·威尔逊通过这部明亮而多角度的电影，展现了一名国际巨星如何接纳自己的多重身份：她不仅是词曲作者和表演者，还是一名能够用声音带来影响力的女性。

简介：

　　Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics. He travels around the world from Germany via England to Nigeria to detect aggressive trading practices of the global alcohol industry seeking growth in new markets at all costs. He also visits Iceland, which successfully made the turnaround: Where 20 years ago hordes of drunks roamed the streets, young people today master their need for relaxation and life stimulants without alcohol. The film has no intention to point a moral finger but nevertheless will significantly change the drinking habits of the viewer.

简介：　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

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简介：In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it.                                                                    Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused of making up their allegations, later they are prosecuted for giving false testimony and sometimes they end up serving prison sentences. ‘VictimSuspect’ shows how the roles are reversed so the perpetrators are declared innocent while the victims sometimes end up behind bars and other times end their lives. Rae de Leon gets first-hand accounts from the women and interviews legal experts as she delves into police methods, interrogation techniques and preliminary investigations, and the outcome reveals a corrupt system. Nancy Schwartzman charts a law enforcement agency that confuses victims and suspects and is relevant far beyond America’s borders. It is a powerful testimony to systemic failure, police handling of cases and a determined journalist’s attempt to change it.                                                                    源自：httpscphdox.dkfilmvictimsuspect

简介：

 让宫崎骏因《男孩与苍鹭》参加国际电影节被证明是困难的，但这位吉卜力创始人今年可以通过一部不为人知的纪录片在巡回演出中亮相。 去年年底，日本广播公司 NHK 首次播出了这部纪录片的国际版，讲述了吉卜力最新热门作品的制作过程，以及这位标志性但不愿接受媒体采访的公司创始人今年可能会去参加一个电影节或电影市场。

简介：　　当人们为艺术市场的狂热而瞠目结舌时，往往只有一个面向被关注：金钱的迷人力量。实际上,深入探索收藏及艺术世界的纪录片并不多，但这却是大众所极为好奇的神秘圈子。《一个人的收藏》将从一个中产阶级的亚洲收藏者出发，纪录面向艺术世界时所见到的美好与荒诞。
　　影片已入围多伦多亚洲国际电影节（Toronto Reel Asian Film Festival）。

简介：　　「為了電影，我連命都可以不要。」他成為中亞最紅的電影天王… 熱愛電影的少年因戰亂逃往鄰國，回國後卻被徵招加入軍隊，好死不死還遭到敵軍襲擊，同袍們全都不幸為國捐軀，他扮成死屍才逃過一劫。退伍後決定完成電影夢，沒想到卻成為恐怖組織的眼中釘，火箭砲朝劇組無情的招呼，拍片人生依舊不喊卡！身兼導演、男主角、編劇、製片於一身，類型橫跨愛情、動作、戰爭、歌舞…等，沙林珊辛拍了30多年、100多部電影，一句「為了電影，我連命都可以不要。」讓他成為中亞最紅的電影天王…。

简介：　　CBS制作“ADELE只在今夜”，黄金时段特别企划将为你呈现精彩的现场表演，包括Adele六年以来新专辑中的内容以及她的打榜单曲。本次特别企划还包括奥普拉·温弗瑞在她的私人处所“玫瑰园”对Adele的独家访谈。这是Adele首次在电视访谈中谈及她的新专辑，歌曲创作的幕后故事，离婚后的生活，减重以及抚养她儿子。

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　　哈勃太空望远镜给了人类一个全新的关于遥远行星的视角，它捕捉到的令人震撼的宇宙图像是以前的人们没法想象的。本片展示了哈勃所拍摄的让人难以置信的太空照片。在本片中，大家可看见其拍摄的清晰的金星和火星照片。同时，还可以观赏到漂浮于太空望远镜上的宇航员用高质量电影胶片所拍摄的壮观太空景色。

简介：　　由中央电视台财经频道和康美药业股份有限公司联合制作的系列微纪录片《资本的故事》于近期开始在中央电视台财经频道播出。
　　《资本的故事》以故事为载体，以四百多年来世界经济的发展历程为背景，以当下的视角剖析资本在市场经济中的作用和地位，为中国经济下一步的深化改革和发展提供借鉴。
　　《资本的故事》是中央电视台专业财经短片的一次有益尝试，它以“播出季”的方式滚动制作和播出。第一播出季为20集，每集八分钟。讲述了从股票的诞生到次贷危机四百年间的20个精彩的资本故事。