恶魔奶爸 OAD

简介：　　影片讲述明朝中叶，宦官专权，大太监李进中主持东厂，上挟天子，下令百官，为虎作伥，陷害忠良。他利用从东瀛人北条夜姬处购买来的黑夜彼岸花炼制奇药，并在平民身上实验以达到自己炼制尸兵鬼侍的目的。在一次次实验失败后急需大量彼岸花，便与北条夜姬约定新的交易地点，便是龙门客栈，这次看似平常交易，暗藏了李进中的大阴谋，龙门客栈暗流涌动，四方云扰，风刀霜剑齐聚于此，在江湖掀起一场血雨腥风。

简介：　　为了完成母亲的遗愿，莉娜在罗马度过大学开始前的暑假。她在那里发现了浪漫和奇遇，也迷上了意式冰淇淋。

简介：　　When summer ends, the classroom fun begins. Start the school year with the Peanuts gang when Lucy' sSchool premieres August 12 on Apple TV+.

简介：　　本片讲述了五个性格迥然不同的高中生为了能够毕业破除彼此芥蒂共同努力完成高级项目的故事。 彼得·哈默的妈妈作为管家在一个富翁家里工作，因为妈妈工作的原因，彼得只得跟着妈妈转学到了肯尼迪高中。在全新的学校里，彼得认识了一些新朋友，他们都选择了传媒选修课，在这门课上，老师盖蒂要求他们设计并完成一个高级项目，这个项目至关重要，关系到他们能否顺利毕业。 完成高级项目的过程并不是一帆风顺的，老师盖蒂和同学吉尔很是不满彼得和他的朋友们，两人想方设法让几人的项目成绩等级下降，稍有不慎，几人就难以毕业，同时，这也使得几人之间的关系也产生了难以愈合的裂缝。彼得发现这样下去，毕业遥不可及，而几人尴尬的局面也难以扭转，趁着还有回旋的余地，他说服了盖蒂老师再给他们一次机会，随后又找到好友们，破除了彼此之间的隔阂，几人在最后一段时间内，成功完成了自己的项目，获得了毕业的资格。 本片展示了高中生活里，美好的友谊与恼人的矛盾同在，但只要努力，友谊最终将会消除矛盾，取而代之的将是一段难忘的回忆。@m.yakutv.cc

简介：　　1936年，红军长征途经金沙江畔藏族地区，国民党勾结大土豪仇万里，企图阻挠红军渡江北上。仇万里让爪牙假扮红军劫走土司桑格的独生女珠玛， 挑拨土司和红军的关系。 红军则坚持党的民族政策，救出珠玛，渡金沙江开拔到藏区边界。仇又抢先潜入藏区。言称珠玛已被红军所杀 ，提供弹药武器让土司打 红军。为揭破敌人谣言，红军指导员金明带一个班掠送珠玛回家。但奉命给土司送信的战士被敌人杀害。 危急时刻，金明冒险上山与土司谈判，土司信疑参半，派亲信下山探看虚实。不料使者又遭仇万里暗算，他带伤到红军驻地，说明情况。在仇万里的唆使下，土司正要杀害作为人质的金明，珠玛带红军赶到，向土司揭露了敌人。 仇万里慌忙逃窜，坠人金沙江毙命。红军打通了道路，继续北上。

简介：　　When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
　　Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

简介：　　依靠倒卖为生的吉井在工作即将步入正轨的时候，周围却发生了很多可疑的事情，这些事情将他至今为止的日常都破坏了...

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简介：　　事业和爱情，是当代大龄青年的两大痛点！面对事业挫折和长辈逼婚，影片主人公钟志远在事业上不屈不挠，终于事业从低谷中崛起。奋斗的男人是有魅力的，在挫折中不屈而努力有担当的钟志远收获了爱情。

简介：　　四个年轻人前往一所废弃的房子拍摄一部纪录片，一系列奇怪和不幸的事情发生在了他们身上....

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　　剧情叙述一个神经质的作曲家Winslow Leach，他的作品被唱片公司制作人Swan窃用，并且使他遭受到毁容。于是他躲在制作人新开的天堂剧院中，戴着面具变成如同幽灵一般。作曲家本来想借着破坏行动来报复制作人，但当他发现一个新进女歌手Phoenix，能够完美地诠释他的作品，于是他同意制作人的合作要求，然后签下了古怪的血约，立誓完成一部以「浮士德」为主题的摇滚歌剧。没想到制作人竟然又欺骗他，另请了一位重摇滚歌手Beef来代唱，而且他慢慢地发现到制作人真正邪恶的真面目......

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　　Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.