鲛在水中央

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

影片讲述了红姐在动荡的社会背景下的命运多舛，这也是他们这一代普通人的共同命运的故事。

　　A young American girl has a chance of a lifetime to visit her ancestors castle in the south of France, only to find that her family is hiding deep, dark secrets about their nefarious past, far away from prying eyes.

　　清朝末年，京东镖局的当家松三爷（王劲松 饰）正在为镖局的债务发愁，曾经的“天下第一”镖局，如今却如此落败，让松三爷好不感慨。这时，洋务派的领袖奕丰王爷，决定在国内举行比武大会，以便重振国威。比武大会不仅可以得到“天下第一”的称号，还可以获得万两奖金。于是，松三爷的远方表亲，爱出点子的镖局师爷诸葛明（张默 饰）向松三爷提议，参加这场比武大赛。
　　为了偿还债款，松三爷踏上了去往京城的比武之路。在路上，他邂逅了各路人马，其中包括骗子艳玲（黄小蕾 饰），她很快夺得了松三爷的信任。各路高手纷纷奔赴京城，而手无缚鸡之力的松三爷，却阴差阳错的过五关斩六将，磕磕盼盼的进入了决赛环节，艳玲也慢慢假戏真做起来。而这背后却隐藏着一个大危机，在向众人逼近……

　　回首青春，这些年最不想错过的人，一直是你。可我这一次，真的错过你了。
　　影片以游记随笔《青春18×2 日本慢车流浪记》为原型。18年前，来自日本的背包客阿美（清原果耶 饰）来到了高中生吉米（许光汉 饰）打工的店中，两人在同一家店中一同工作度过了一个夏天。吉米渐渐对阿美产生好感，然而阿美将回到日本。面对无法整理心情的吉米，阿美提出了“一个约定”……时光流逝，回到老家的吉米发现了阿美18年前从日本寄来的明信片。初恋的记忆涌现，吉米乘上通往阿美的故乡的列车，开始了独自一人的日本之旅。