微观小世界第一季
9.0 |03月26日 |已完结
简介:

  这是一个微缩版的虫虫世界。每个故事的主角都是小昆虫,在5分钟的时间里,通篇没有一句语言和对白,以纪录片的风格描述虫虫们的生态环境,同时又演绎出了生动幽默的故事来。爱欺负人的瓢虫、遵守交通规则的蜜蜂、喊口令成群出动的蚂蚁们、坚持不懈滚着方形便便球的屎壳郎、幻想能快速飞驰的蜗牛、破茧成蝶的可爱毛毛虫等等,这些小昆虫的形象不仅让人眼前一亮,而且个性鲜明,也让观众看起来津津乐道……
  Minuscule系列一共只出版了三张DVD,也是两个年轻法国艺术家Thomas Szabo和Hélène Giraud的优秀动画作品集。其中,场景和声音效果都是采用现实中真实的东西,而小昆虫和小动物则是用三维动画技术设计出来的,不光小孩子们非常喜欢,也俘获了大人们的喜爱。该系列作品曾获得2007年所有年龄组最佳电视系列片(Best TV series for all ages)的Pulcinella奖。

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杰弗里·爱泼斯坦:肮脏的财富
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主演:迈克尔·莱特,艾伦·德肖维茨,安妮·法摩尔,肖娜·里维拉,弗吉尼亚·朱弗尔,考特尼·威德,布拉德·爱德华兹,玛丽亚·法摩尔,简·马斯格雷夫,米歇尔·利卡塔,蒂姆·马洛伊,迈克·菲斯腾,海莉·罗布森,西格丽德·麦考利,詹姆斯·帕特森,杰克斯·卡罗拉,莎拉·兰瑟姆,维琪·沃德,马克·费舍尔,肖泰·戴维斯,斯宾塞·库文,香农·凯科,史蒂夫·斯库利,查利·加斯帕里诺,卡尔·希尔森,迈克尔·坦南鲍姆,蒂姆·凯恩,凯瑟琳·斯塔莫利斯,戈登·阿克莱,迈克尔·高格,史蒂文·霍芬伯格,鲍勃·菲特拉基斯,蒂姆·费兰,艾丽西亚
简介:  神秘大亨杰弗里·爱泼斯坦在 2019 年被捕之前,被指控虐待妇女和未成年少女长达数十年,并组建了一个帮凶网络,帮助实施和掩盖自己的罪行。爱泼斯坦出身卑微,但他设法通过谎言和操纵他人登上了金融界的顶峰。他最终获得了巨大的财富和权力,同时经营着一个国际性交易集团。2008 年,这名连续性侵者与政府达成了秘密认罪协议,以避免被判无期徒刑,并继续虐待女性。在导演莉萨·布赖恩特的四集纪录片《杰弗里·爱泼斯坦:肮脏的财富》中,爱泼斯坦的指控者提供了令人恐惧的第一手资料。这些幸存的姐妹首次揭露她们情感上的创伤,试图阻止性侵者和美国司法系统的为所欲为,以防止下一代人的沉默。本剧集由 RadicalMedia、James Patterson Entertainment production 和 Third Eye Motion Picture Company 联合出品,乔·伯灵格(《对话杀人魔:泰德·邦迪访谈录》)担任监制。
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情感的力量
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10.0
HD中字
情感的力量
10.0
更新时间:03月26日
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke
简介:  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke