长安秘闻

　　在巴黎的郊区，人们与世隔绝。当代社会闯入了这个世界，收音机里播放着恐怖主义的消息，外国人掠夺财产，贪婪的亲戚也成了帮凶。当那个谁也管不住的堡主的堂亲Sophie死去的时候，局面变得紧张起来，那些继承者为了钱财展开了斗争。

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

　　经历了动荡的明治维新，日本迎来新的时代。在明治政府第十个年头，不祥的气息弥漫东京。恶德实业家武田观柳（香川照之 饰）操纵女医师高荷惠（苍井优 饰）研制新型鸦片，公开招揽落魄武夫，大肆收购周边土地，有条不紊地实现他的狼子野心。在此期间，以刽子手拔刀斋之名滥杀无辜的鹈堂刃卫（吉川晃司 饰）引起了前新選组头目斋藤一（江口洋介 饰）的注意，也迫令隐姓埋名多年的拔刀斋本尊绯村剑心（佐藤健 饰）登场。寄居在神谷道场的绯村渐渐融入神谷薫（武井咲 饰）和周边庶民的平和生活之中。然而武田欲壑难平，为了保护善良的人，剑心不得不拔出逆刃刀和相乐佐之助（青木崇高 饰）勇闯虎穴……
　　本片根据漫画家和月伸宏的经典原作改编。

　　Akil (KIL), a quiet and depressed young man sees suicide as an solution though he never succeeds in pulling it off. A chance encounter brings him face to face with the "Life Action Bureau" or LAB, an organization that will help him end his life. But after being bound to LAB's terms and conditions, he meets pretty and vivacious Zara with whom he eventually falls in love with and gives him a reason to live. The new Akil who embraces life must now race against time to undo what he has set in motion before he gets killed.

　　11岁的东尼接受拳击训练，然而她被隔壁舞道教室吸引，偷偷私下练习，并为自己穿耳洞，希望加入那些女孩的行列。女孩们相继出现抽搐、奇怪的症状，仿佛是一种成长的象征，也使得东尼陷入想被认同却又犹疑这样的诡异情景的矛盾之中。

民国初期，逃兵皮四追踪假道士至湘西天门镇揭露其拐卖少女的赶尸阴谋，没想到竟然扯出闯王宝藏的传说，引起多方窥探。皮四最终军阀爱女杨佩如成为欢喜冤家，并在有土司少爷和苗族少女帮助下逐渐解开宝藏的秘密，引发一连串的夺宝闹剧。

　　1940年，波兰冠军拳王泰迪参与华沙围城保卫战的武装部队，华沙被破，他在逃亡法国途中被捕，成为第一批被送往奥斯威辛集中营的战囚。集中营里朝不保夕，纳粹士兵视为游戏的地下拳击赛，成为泰迪为生存而拼搏的重要战争。然而，一次次激励人心的胜利，却让纳粹长官警觉到囚犯的反抗意识，转而强化管制，眼见冲突逐渐升温，获胜已然成为集中营里残酷的生存之路。
　　波兰新锐导演马西耶·巴尔切夫斯基首部剧情长片，将战后被忽视的华沙拳王故事搬上大银幕，背号“77”的囚犯在三年内赢了40战，他的奋斗故事成为奥斯威辛囚犯幸存者的集体记忆。波兰金奖演员彼得．葛洛瓦兹基透过长时间密集的身体训练，精采演绎波兰影史最“痛”的角色。
　　“我的爷爷是集中营幸存者，这个故事一直存在我的血脉之中。”――马西耶·巴尔切夫斯基