另一部同志电影
6.0 |前天12:29 |片长92 |HD中字
简介:
  ◎简 介
  Andy是一个典型的17岁美国男孩,他是同性恋也还是处男,和其他人一样,他对性有着好奇和渴望。他的母亲总是不明白厨房里的胡萝卜和黄瓜为什么莫名其妙的消失了。
  Andy并非独自一人,他和另外三个好朋友一起上了高中,他们都非常活泼外向。Jarod是一个身体健壮的青年。Griff非常性感。Nico是同性恋电影专家。这群本该纯真的高中生陷入了少年和成人之间的漩涡之中。他们有一个共同的秘密:他们都还是处男。
  Muffler是一个非常吸引男孩子的18岁姑娘。她是学校的啦啦队长而且有丰富的性经验。小伙子们最后的机会来了,Muffler的毕业典礼聚会,但却什么事都没发生。于是他们约定在夏天结束前行动。
  在夏天结束时,小伙子们的生活将从此改变……
  在本片性和嬉闹的表面掩盖之下,故事的真实主题是--友情和纯真的失却。每位主人公各自经历了他们从男孩到男人的旅程。
  ANDY is your typical All-American eighteen-year-old gay virgin. Like everyone else, he's dying to have sex. Totally out of the closet and mad-crazy horny, this naïve high school senior is caught in that awkward vortex between child and adult. Much to the dismay of his MOM (who wonders why all her carrots and cucumbers keep disappearing), Andy spends much of his private time practicing for the big moment when he'll finally take the plunge.
  Andy is not alone. He attends high school with his three best friends, all of them totally out-loud-and-proud. JAROD is a buff varsity-jock stud. GRIFF is the class valedictorian and a closet romantic. NICO is the fabulous alternative-kid gay-cinema expert. The guys all have one thing in common - they're all booty-virgins.
  MUFFLER, 18, the boys' bulldyke Casanova stud bud, delights in pointing this out. Muffler is a cheerleader-magnet with loads of sexual experience under her mullet. The final straw for the guys comes at Muffler's graduation party, where everyone is having sex but them. That night they make a pact to do “the big A” by the end of the summer.
  What follows is a raunchy ride on the bumpy road to butt love. Along the way, the film spoofs not only teen movies like AMERICAN PIE and gay movies from TRICK, THE BROKEN HEARTS CLUB, but also the entire gay lifestyle.
  After the end-of-summer blow-out bash at Muffler's, the boys' lives (and asses) will never be the same…
  Will Andy decide he's not ready for sex after all? Will Griff act on his raging crush for best friend Jarod? What is Nico doing with MUFFLER’S GRANDPA? Will Andy get that gerbil out of his ass? Each character experiences his own rite of passage on a journey that spans from boys to men.
  Beneath the film's sex-romp exterior beats the true message of the story - GAY IS OKAY!!
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简介:

  二战后,美国作家马丁(约瑟夫•科顿 Joseph Cotten 饰)应好友哈里(奥逊•威尔斯 Orson Welles 饰)邀请到维也纳工作,岂料刚到达目的地就传来了哈里车祸身亡的消息。哈里葬礼上,马丁遇到了当地军官卡洛维,卡洛维很不客气的请他马上离开维也纳。马丁没有理会,决心留下调查出好友死亡的真相。
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巴斯克维尔猎犬
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主演:Peter Voß,Friedrich Kayßler,Alice Brandt,Bruno Güttner,Fritz Odemar,Fritz Rasp
简介:

  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
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