跟着书本去旅行
2.0 |03月26日 |片长20 |全539集
简介:
  《跟着书本去旅行》是一档体验式文化教育节目。节目以中小学课本或经典名著为线索,在读万卷书的同时行万里路,走近文化古迹、实地实景讲故事、身临其境受教育,触摸历史、感知文化,让陈列在广阔大地上的遗产活起来。
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比斯平
293
4.0
HD中字版
比斯平
4.0
更新时间:03月26日
主演:斯科特·阿金斯,迈克尔·比斯平,Karyn Bryant,范·迪塞尔,Tito Ortiz,Joe Rogan,米基·洛克,乔治·圣皮埃尔,Dana White,迈克尔·加·怀特
简介:  His passion for combat sports wasn't keeping him alive so survival mode kicked in for Michael and he was forced to take normal jobs, including working in factories, slaughterhouses, demolition companies; in addition to working as an upholsterer, postman, tiler, plasterer, and salesman. In his later years though, Michael's career as a UFC fighter would take off and he would become one of the sports fan favorites, but with any combat sport comes the shrapnel of getting kicked and punched in the face on a nightly basis. In a controversial fight against the steroid-induced Victor Belfort, the unthinkable would happen to change the course of Bisping's life forever. He would suffer a detached retina from a blow and kick to the head that would disfigure and scar the fighter forever, threatening to end a career he has sacrificed everything for. With a wife and kids that love him, they plead for the battered and bruised fighter to hang up the gloves, as they feel he has nothing left to prove. But in the end that decision is left to only one man: Michael Bisping.
1732
2021
比斯平
主演:斯科特·阿金斯,迈克尔·比斯平,Karyn Bryant,范·迪塞尔,Tito Ortiz,Joe Rogan,米基·洛克,乔治·圣皮埃尔,Dana White,迈克尔·加·怀特
情感的力量
438
10.0
HD中字
情感的力量
10.0
更新时间:03月26日
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke
简介:  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
3920
1983
情感的力量
主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke