我爱中国造
8.0 |03月26日 |片长50 |全10集
简介:
《我爱中国造》以历史的、世界的、人文的三个维度,讲好中国人在一百多年工业化进程中,尤其是新中国成立和改革开放以来的中国制造故事。讴歌民族精神,展示工业成就,让更多的人关心中国造、爱上中国造,夯实中国制造的中国价值与中国力量,为中国工业转型升级打造更好的舆论环境,为中国制造步入良性循环创造更好的人文环境。《我爱中国造》不仅是一部纪录片,更是一项具有历史意义和现实意义的重大文化工程。
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简介:  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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  当时,吴国已在南方崛起,为谋霸业,四面征讨,而国力弱小的越国,地处强吴后院,自为强吴眼中之钉,肉中之刺……
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  三年为奴,范蠡一面忠心侍奉越王勾践,一面苦思逃生之策,以超人心智逃过了一次次生死劫难,终于设局骗得吴王妇人之仁。主仆二人大难不死回到越国……
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